“It’s my new favorite movie.”
“It’s the greatest movie ever!”
These are the things I heard during The Dark Knight’s opening weekend, among other squeals and guttural sounds of delight.
“Awesome.”
Here’s my problem - Most people might not think so, but these little expressions are spoilers. They’re not plot spoilers, they’re experience spoilers. If I go into a movie fresh, with no strong impressions from anywhere, then I will enjoy the movie on my own terms.
But if I go into a movie thinking, “Some people consider this an instant classic, the finest depiction of good vs. evil in cinema,” then I go into the movie spoiled. It is likely that, if you are reading this post within a few weeks of my writing it, you are not someone who would have spoiled the movie for me.
So, here’s my review of The Dark Knight.
It’s a very good movie, but not great. I liked 3:10 to Yuma better - thought that was great.
The common thread between those movies is Christian Bale. At the end of the movie, Marcy exclaimed, “Christian Bale is the best Batman ever!”
“Yes,” I thought. “There have been about 5 Batmans, and only three of them took themselves seriously. Of those three, I’m not completely sure that he’s better than Michael Keaton.”
Let me expound - I think Christian Bale was excellent in Batman Begins. He looked tough, tormented, and even bigger than many of his enemies (before and during his Batman days). But in The Dark Knight, he looks small - he looks far too unaffected by the turmoil around him. There are many good moments, of course, but nothing in the movie made me think, “Only Christian Bale could pull that off.”
Heath Ledger, on the other hand, was incredible. When I first heard of his death, I nearly wept for the loss of a talent, for someone with whom I shared some sensibilities. What a career he could have had.
Let’s enjoy what we have, though - I set out to pay special attention to the Joker, to see what about him made Ledger struggle so fiercely within himself. And it was there, explicitly and implicitly. Ledger’s Joker was a brilliant villain, one who had thought out the value of human lives and the condition of living more thoroughly than most people, and one who had an almost admirable tolerance to endure hatred because of his perspective.
His perspective was driven by pain, the inexplicable and indescribable agony that some people suffer at the cruel hands of others. In a way, no one can claim to be more righteous than the Joker, only to be just as righteous in the opposite direction - He, dedicated to the idea that cruelty is a given and that one must be ready to match the lawless and ruthless cruelty of any other.
As I get a bit philosophical, I have to say that I enjoyed the deeper moments of the film, largely because the writers (The Nolan Brothers) let most of the weightier statements be delivered in a conversational tone, as two college kids might stay up at night debating the foundations of the world.
In the same way, I like the fact that two villains have shown up in each movie so far, and at least one of them, seemingly, dies. Further, the second villain is dealt with “conversationally,” so that he doesn’t need his own movie to dominate in order to make an appearance. The emergence of Two-Face was satisifying and interesting.
For his part, Aaron Eckhart did a great job. He was noble and shrewd as the DA, then explosive and vengeful as Two-Face. Nice lead up with the secret nickname the Police had for Dent.
All other acting seemed terrific to me, as far as I cared to consider, and tension and action were delivered. Let’s have another, and someone tell Christian Bale to turn down one of his other 17 movies so that he can deliver a little better on Batman.